Sound marks the first encounter at Soufiane Ababri’s exhibition Here is a strange and bitter crop showing…
Reviews
The Favourite: “a refreshingly irreverent take on British period drama”
The long-suffering valiant consort or regnant is the typical image of British queens in cinema;…
Lionheart Review: Genevieve Nnaji plays it Safe in Netflix Debut
A few years ago I interviewed Genevieve Nnaji for the Africa Report. One of the…
Review: Divinations of worlds to come – works by Caribbean artists Hervé Beuze & David Gumbs
Showing in the intimate South London gallery, The Agency, which houses both a gallery…
Esther’s Revenge: An intimate slice of murder at Lagos Theatre Festival 2018
Based on a true story, Esther’s Revenge, shown at the Lagos Theatre Festival struck an…
“Akinwande’s Power Show: An erratically electric show of artistic force and intelligence”
The “Power Show” – Ayo Akinwande’s solo show at Omenka Gallery takes Nigeria’s tortured relationship…
Quarter Life Crisis: A deliciously pop (py) and irreverent take on the British-Nigerian diasporic experience
Image Source: Yolanda Mercy (Twitter) Yolanda Mercy’s one woman show “Quarter Life Crisis” at the…
‘Butterfly Fish’: A Stunning Debut novel from Irenosen Okojie
Butterfly Fish, the debut novel from British-Nigerian writer, Irenosen Okojie is described, tantalizingly, as a…
Review: ‘Remember the Future’ – Art Exhibition
Now, the first thing to say about ‘Remember the Future’ is that it is a…
The Atlantic Triangle Exhibition at Re Le Gallery
The Brazilian heritage of Lagos is one of the key definers of its identity, albeit…